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The final moments of the great rebel 24/4 at 8:00 PM on CT art
If we were to name the works that connect Prague with the global music and theatre, the top position among them would undoubtedly be occupied by W. A. Mozart’s Don Giovanni.
The National Theatre Chorus and Orchestra
Ballet of the National Theatre Opera
And if we were to name the places at which Mozart in person premiered an opera of his and which still function as theatres, the one and only candidate in the world would be the Estates Theatre in Prague. The National Theatre Opera has proudly cherished this unique tradition for decades.
Perhaps surprisingly, Don Giovanni, the “opera of operas” created for Prague, has to date never been staged at the National Theatre by a non-Czech director.
Accordingly, the new production of the Mozart opera at the unique Estates Theatre is actually at variance with the long tradition – this time, an adaptation of Don Giovanni will be created by the Swedish-Norwegian stage director Alexander Mørk-Eidem in tandem with the German conductor and Mozart specialist Karsten Januschke. They are afforded wide scope for the portrayal of the world-famous profligate, who so easily magnetises women and wins their hearts. Is Giovanni an incorrigible slave to his instincts, or is he a provocateur, rebel, revolutionary even, human and symbol, or is he a mere catalyst around whom Mozart thoroughly depicts the constantly changing universe of female emotions?
To what degree will the new Don Giovanni at the Estates Theatre break with tradition in this regard?