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The National TheatreApproximate running time
2 hours 25 minutes, 2 intermission (20 minutes) minutesLanguage
In Italian, surtitles in Czech, EnglishPremiere
January 23, 2020
Giacomo Puccini’s final opera, Turandot, may be deemed to be the “last of the Mohicans” of the Golden Age of Italian Romantic opera. Puccini did not get bogged down in this tradition, but went on to boldly develop and enrich it with the flavours of the new artistic styles of symbolism and expresionism. However, what prevails in exotic and mysterious Turandot is Puccini’s masterful melodic invention in the spirit of the legacy of his great Italian opera predecessors.
National Theatre Chorus
National Theatre Orchestra
National Theatre Opera Ballet
Kühn Choir of Prague
Prague Philharmonic Children's Choir
Giacomo Puccini’s final opera, Turandot, may be deemed to be the “last of the Mohicans” of the Golden Age of Italian Romantic opera. The greatest of Verdi’s heirs, the composer, however, did not get bogged down in this tradition, but went on to boldly develop and enrich it with the flavours of the new artistic styles that emerged in the late 19th and the early 20th centuries. Consequently, his Turandot, written between and 1921 and 1924, does not feature many Romantic traits.
Puccini based the opera on the eponymous commedia dell’arte play by Carlo Gozzi, an author much admired by the early 20th-century avant-garde artists. The subject hails from Persia or Mongolia, whose cultures were mainly marvelled at by votaries of the decorative style, while the libretto’s story is set in medieval Beijing and foregrounds fairy-tale, or better said mythological, elements, favoured by the Symbolists. The theme of passionate love, essential for Romantic opera, is veiled in mysterious motifs of ice, fire, moon, while an erotic flame enigmatically blazes along with intense, unrelenting hatred, which we would rather expect to be present in works inspired by decadence or psychoanalysis.
Yet all that which, notwithstanding its modernism, gives Turandot the Romantic opera hallmark is Puccini’s musical idiom, which too encompasses plenty of “eccentric” facets – ranging from Oriental paraphrases, through a brutal orchestral sound, dissonant harmonies to wildly complex chorus and ensemble scenes – but what prevails is Puccini’s masterful melodic invention in the spirit of the legacy of his great Italian opera predecessors, yet utterly original – by and large, Puccinian.
Suitable for audience from 12 years.
Photo and video gallery
Where to buy tickets
The National Theatre sells tickets up to 6 months in advance. On 1 October at 9am we selling tickets for performances of Drama, Ballet, Opera and Laterna magika until the end of March 2024.
Parking at the National Theater
What to wear?
By their appearance, attire and behaviour, the audience is obliged to adhere to the accustomed practice expected from them when attending a theatre performance.
Buffets at the National Theater
No waiting. For your benefit, please pre-order your food and beverages at the bar to minimize waiting in the queue!
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