Švanda dudák
Opera

Schwanda the Bagpiper

Jaromír Weinberger
The National Theatre
For the whole family
Modern adaptation

Choose date

    June 2020

    Thursday 11. 6.
    19:00

    Canceled

    Basic information

    Venue

    The National Theatre

    Language

    In Czech

    An extraordinary performance of the opera Schwanda the Bagpiper by the Czech (and later on, American too) composer Jaromír Weinberger.

    Weinberger’s fabulous – and truly folksy – opera garnered ovations at many theatres in Europe. As translated by Max Brod in 1931 Schwanda the Bagpiper was even staged at the Metropolitan Opera in New York.

    Creatives

    Musical preparation
    Zbyněk Müller
    Stage director
    Vladimír Morávek
    Light design
    Vladimír Morávek
    Choreography
    Lucie Mertová
    Chorus master
    Jan Bubák
    Dramaturgy
    Ondřej Hučín

    About

    National Theatre Orchestra and Chorus

    “Czechs, German, citizens of the world – gather round! See a fairy tale in two acts and five scenes, penned by Miloš Kareš and adapted by Max Brod. What is it about? About lime-trees in bloom. About Queens of Darkness who fail to do what they desire to do. About bandits who do great good. About the Devil who loses a card-game. Dorotka is here. And Švanda can do incredible things – with that instrument of his. Long live the Czech bagpiper! Long live Dorotka! Horses, varlets, men with scythes, a soup for lunch, an astronomical clock stolen from the Devil, carriages, carts, bells of all tunes, thunders and thunderbolts, ominous figures, bats and an infernal marriage game. In the end, they all shout: Hail!” That is how the stage director Vladimír Morávek invites audiences of all generations, particularly children and their parents, to attend an extraordinary performance of the opera Schwanda the Bagpiper by the Czech (and later on, American too) composer Jaromír Weinberger. Along with Smetana, Dvořák, Janáček and Martinů, he was one of the select few Czechs whose music gained global acclaim. In the mid-1920s, during the time of the first Czechoslovak Republic, Weinberger and the humourist Miloš Kareš wrote a loose sequel to J. K. Tyl’s tall story The Strakonice Bagpiper. Švanda is married to his beloved Dorotka, yet he feels restless at home. And so, when the bandit Babinský tells him what is there to enjoy abroad ...

    What follows is a crazy story, something like an opera-comic strip, giving an account of the adventures of Švanda the bagpiper and his bandit companion, who experience merry, as well as rather torrid moments. And whenever it seems that our heroes are done for good, the best of the Czech nature prevails – craftiness and love of music.

    Weinberger’s fabulous – and truly folksy – opera garnered ovations at many theatres in Europe. As translated by Max Brod (a friend and associate of Franz Kafka and Leoš Janáček), in 1931 Schwanda the Bagpiper was even staged at the Metropolitan Opera in New York.

    Practical information

    Where to buy tickets

    When purchasing online, we will send you an E-ticket by e-mail. You can pick up printed tickets in person at any of our box offices.

    Parking

    While visiting the National Theatre and the New Stage
    You can use nearby secure car parks:

    Kotva department store (Revoluční 1/655, Prague 1), then walk along Králodvorská street to Ovocný trh.
    Palladium department store (Na Poříčí 1079/3a, Prague 1), then walk along Králodvorská street to Ovocný trh, or to the Powder Gate through Celetná street to Ovocný trh.

    because the car park under the National Theater is closed for reconstruction since April 14th 2020.

    While visiting the State Opera, you can take the slip road on Wilsonova street from the left lane close to the State Opera building to the Parking Centrum above-ground garage. The parking fee is 40 CZK/h.
    Unfortunately, there is no car park nearby the Estates Theatre. You can either use the National Theatre car park or a secure car park at the Kotva shopping mall (Revoluční 1/655, Praha 1) and Paladium (Na Poříčí 1079/3a, Praha 1).

     

    What to wear?

    By their appearance, attire and behaviour, the audience is obliged to adhere to the accustomed practice expected from them when attending a theatre performance.

    Buffets at the National Theater

    No waiting. For your benefit, please pre-order your food and beverages at the bar to minimize waiting in the queue!

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