The National Theatre operates at full capacity and all purchased tickets remain valid. However, it is obligatory to wear a face mask or other similar protection of the nose and mouth inside the theatre.
Spectators entrance, stay in the theatre and the subsequent exit is organized by the theatre staff in a special mode so that the visitors of the individual sectors are separated from each other and do not have to meet even in the areas of refreshments, restrooms or cloak rooms.
Thank you for respecting the government regulations and we look forward to seeing you.
3 hours 5 minutes, 1 intermission 20 minutesLanguage
In Italian, subtitles in Czech, EnglishPremiere
January 21, 2016
Works of Gioachino Rossini, a master of the bel canto style.
The libretto, penned by Jacopo Ferretti, is based on Charles Perrault’s fairy tale Cendrillon, first published in 1697 within the collection Les Contes de ma Mère l'Oye.
The National Theatre Chorus and Orchestra
One of the most frequently performed works of Gioachino Rossini, a master of the bel canto style, was premiered on 25 January 1817 at the Teatro Valle in Rome.
Similarly to the other creators inspired by Perrault’s fable, Ferretti and Rossini interpret the story of Cinderella in their own way, presenting a broad scope of situations, ranging from the moving to the comical, as well as rewarding types of characters and splendid musical numbers, one of the most famous being Cinderella’s aria Nacqui all'affanno… Non più mesta, a staple of many a world-renowned diva.
Guaranteeing a singular and intriguing adaptation is the production being undertaken by the acclaimed Hungarian stage director and actor Enikő Eszenyi, who has previously created in Prague well-received stagings of Shakespeare plays for the Estates Theatre (The Comedy of Errors, Much Ado About Nothing and A Midsummer Night’s Dream), as well as appeared in Robert Wilson’s 1914. The music preparation has been entrusted to the young Czech conductor Jan Kučera. To date, the National Theatre has only staged a single production of La Cenerentola, in 1932.
By their appearance, attire and behaviour, the audience is obliged to adhere to the accustomed practice expected from them when attending a theatre performance.
No waiting. For your benefit, please pre-order your food and beverages at the bar to minimize waiting in the queue!