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Libuše
Opera

Libuše

Bedřich Smetana

A legend? A myth? Perhaps, first and foremost, a story conveying a message of wisdom that many a contemporary “ruler” has failed to take to heart.

The National Theatre
For the whole family
Suitable for graduation
English subtitles

Choose date

    October 2022

    Friday 28. 10.
    19:00

    Tickets available

    For the whole family
    Suitable for graduation
    English subtitles

    Basic information

    Venue

    The National Theatre

    Approximate running time

    3 hours 20 minutes, 2 intermission 20 minutes

    Language

    In Czech, subtitles in Czech, English

    Premiere

    September 14, 2018

    Smetana’s Libuše occupies a truly special position in Czech opera and culture as a whole. It is directly connected with our ancestors’ endeavour to restore Czech statehood and independence. It was written for the inauguration of the National Theatre in Prague, a dreamt-of artistic institution, which foreshadowed the later foundation of the Czechoslovak Republic itself. Paraphrasing an old Czech fable of Princess Libuše, in his opera Smetana does not only extol the nation’s bygone glory, he primarily accentuates an absolutely timeless ideal that today may appear as virtually unattainable – the affability, modesty, wisdom and unanimity of the representatives of a nation, and society for that matter.

    Cast

    • 2022-2023

    Creatives

    Stage director
    Jan Burian
    Staging and movement collaboration
    Petr Zuska
    Set and Light design
    Daniel Dvořák
    Chorus master
    Pavel Vaněk
    Dramaturgy
    Ondřej Hučín

    About

    National Theatre Chorus
    National Theatre Orchestra
    Prague Philharmonic Children’s Choir
    Charles University Choir

    The speculations about whether Libuše is Bedřich Smetana’s most mature work within the context of his opera oeuvre, or even within the context of Czech opera in general, whether and how it can stand its ground as against the airiness of The Bartered Bride, the lyricism and absorptive power of Dvořák’s Rusalka, or the emotion and drama of Leoš Janáček’s operas, do not result in definitive conclusions – it will always depend on the angle from which Libuše and any other renowned Czech opera is viewed.

    The visual angle that appertains to Libuše most naturally is determined by the very intention pursued by the composer and the consequent tradition. Bedřich Smetana earmarked Libuše for being performed on the festive occasions relating to the life of Czech society, which after 1860 had begun markedly and palpably emancipating itself in terms of culture, politics and economics. Such an occasion was a seminal event in the history of Czech society – the opening of the National Theatre, first temporarily in 1881, and definitively two years later. An event that at the symbolic level widely transcended the narrow universe of Czech theatre-making and became one of the inherent harbingers of the attainment of independence in 1918. Accordingly, the centenary of the foundation of the Czechoslovak Republic was a momentous anniversary for the National Theatre itself, thus affording it the opportunity to create a new production of Libuše as a natural contribution to the celebrations.

    There are several genre attributions by means of which we try to characterise Libuše, with one of them being a “scenic ritual of conciliation and purgation”. At variance with the expectations placed on an opera dramatist, Smetana does not sharpen the conflicts and antimonies in Libuše, deliberately seeking instead the path to their timely pacific settlement. Whether it concerns the main plot-forming dispute between two brothers about the inheritance after their late father, the antagonisms between a man and a woman, rigorous justice and friendly amiability, between those of “plebeian” and “noble” decent, between the motifs of light and darkness, all the conflicts in Smetana’s opera are redeemed in the central character of Princess Libuše, who is not just a mythical sovereign foretelling glory for the Czech nation but, first and foremost, a cathartic fabulous symbol of womanhood and motherhood, clemency and peaceful life.

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    Poster Libuše

    A poster for the production of Libuše

    99 Kč

    Last item in stock

    Practical information

    Where to buy tickets

    The National Theatre sells tickets up to 6 months in advance. On 1 August at 9am we started selling tickets for performances of Drama, Ballet, Opera and Laterna magika until the end of January 2023.


    When purchasing online, you can get an e-ticket. You can pick up printed tickets in person at the box offices of the National Theatre.

    Parking at the National Theater

    While visiting The National Theatre and the New Stage you can use again the underground car park of the National Theatre. Information and a parking fee.

     

    What to wear?

    By their appearance, attire and behaviour, the audience is obliged to adhere to the accustomed practice expected from them when attending a theatre performance.

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