The National Theatre operates at full capacity and all purchased tickets remain valid. However, it is obligatory to wear a face mask or other similar protection of the nose and mouth inside the theatre.
Spectators entrance, stay in the theatre and the subsequent exit is organized by the theatre staff in a special mode so that the visitors of the individual sectors are separated from each other and do not have to meet even in the areas of refreshments, restrooms or cloak rooms.
Thank you for respecting the government regulations and we look forward to seeing you.
2 hours 30 minutes, 1 intermission 20 minutesLanguage
In German, subtitles in Czech, EnglishPremiere
September 22, 2018
Story of an apotheosis of marital live and fidelity, as well as the idea of justice and pan-human brotherhood.
Fidelio, by Ludwig van Beethoven, is sometimes referred to as the composer’s solitary dream. Even though he intensely wished to create an opera, and having considered more than 50 subjects, Beethoven ultimately merely wrote just a single piece in the genre.
The State Opera Chorus and Orchestra
The libretto to Fidelio was furnished to the composer by his friend Joseph Sonnleithner (1765–1835), who translated into German and adapted the French text Leonora ou l’amour conjugal, penned by Jean-Nicolas Bouilly (1763–1842).
The story of the political prisoner Florestan and his brave wife Leonore, an apotheosis of marital live and fidelity, as well as the idea of justice and pan-human brotherhood, presently impressed Beethoven. Nonetheless, setting a profound ethical message not for symphony or chamber rendition but for a theatre stage, with which he had no previous experience, proved to be a truly formidable task.
The premieres of the first, three-act, version in 1805 and the shortened, two-act, version two years later (both at the Theater an der Wien in Vienna) were flops, with only the opera’s third version, first performed on 23 May 1814 at the Theater am Kärntnertor, having met with triumph. In 1814, Fidelio was first staged in Bohemia, conducted by the then Kapellmeister of the Estates Theatre, Carl Maria von Weber. Beethoven’s work was most recently presented in Prague in 1993, at the State Opera, under the title Leonore, so as to make it clear it was the original version. The State Opera production is an adaptation of the opera’s final, 1814, version.
By their appearance, attire and behaviour, the audience is obliged to adhere to the accustomed practice expected from them when attending a theatre performance.
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While visiting the State Opera, you can take the slip road on Wilsonova street from the left lane close to the State Opera building to the Parking Centrum above-ground garage. The parking fee is 40 CZK/h.