Emil Hakl, Ilona Smejkalová, Jan Frič
Stage director: Jan Frič
Dramaturgy: Ilona Smejkalová
Sets and Costumes: Jana Hauskrechtová
Music: Petr Šmíd
Light design: Martin Špetlík
Motion cooperation: Jindřiška Křivánková
please accept our sincere apologies for the change in today’s performance: Křehkosti, tvé jméno je žena (Frailty, Thy name is Woman).
The tickets you purchased remain valid for the substitute performance Návštěva (The Visit) in Czech language. In the event that you have already seen the production, and you will not attend it, we will refund you the full price of the ticket/s. Tickets need to be returned within 7 days after the former date of the performance.
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“You know what? Sometimes I am overwhelmed by the desire to come to a halt, to bring everything to a stop, to put on the brakes. You know! I am at the age when my friends are dying. What will be left after us? I would be content to remain here. Here, on this corner. To stand and stare! To go nowhere! Not continue, damn! Not kick the bucket! You know what I mean? Do you feel the same?” Four men, old friends, hold a party. They discuss personal and historical matters, the long-given and the irrevocable, they talk about the extinction of humankind, the global powers’ geopolitical escapades, the corruptness of the Czech elites. And the clock keeps ticking. The leitmotif to the chatter is an asteroid, which is expected to hit Earth in the evening. The fragility of our planet coincides with the equally endangered and delicate physical shell of human lives. Death has nestled down in one of the men’s bodies. Yet this subject – unlike the problems facing humankind – is what male conversation is no match for. The course of an ordinary getting together is depicted by Emil Hakl (b. 1958) with the accuracy of a hyper-realistic painter. The Visit is the theatre debut by an author whose work is among the very best Czech literature has had to offer over the past few decades.
Approximate running time:
1 hour, 50 minutes, no intermission.
WARNING FOR THE AUDIENCE
Part of the performance counts with standing audience, therefore, it is not suitable for disabled viewers with limited mobility or using wheelchairs.